Maria Valencia

Ear training

María Valencia was born in Ecuador, she started her studies in Guayaquil in FOSJE “Fundación Orquesta Sinfónica Juvenil del Ecuador”, and started to collaborate with the Guayaquil Symphony Orchestra. She moved to the capital, Quito, to become a member of the “Ecuadorian Philharmonic Orchestra” where she met Gaudy Sanchez Moreno, soloist trumpet from the Simón […]

Federica Di Bella


Sicilian, lives and works in Rome, she started very young a collaboration with authors such as L. Sciascia, V. Consolo, S. Addamo, M. Grasso and with M. Boggio, S. Rabboni, S. Ramat, A. Porta.  She graduated from the Scuola del Teatro Stabile in Catania and she subsequently perfected in the “Strasberg Method” with Ilza Prestinari […]

Agnese Coco


She became an apprentice when young at a music studio, taking a harp diploma summa cum laude at Venice’s Conservatorio Benedetto Marcello. She took her skills further with Cristina Bianchi (tenured professor at Munich Music University), attended the masterclass under Fabrice Pierre at Fondazione Santa Cecilia di Portogruaro (Venice) and Susanna Mildonian at Venice. In […]

Giuseppe Nese


Considered one of the most interesting Italian flutists of his generation “from MusicBoom by E. Renna” he was born in Essen (Germany), he completed his musical studies in Italy, graduating with full marks under the guidance of Edda Silvestri. He specializes in Switzerland at the Winterthur Conservatory under the guidance of M ° C. Klemm […]

Giovanni Auletta


Giovanni Auletta, Neapolitan, trained with the pianist Sergio Fiorentino with whom he graduated with full marks and honors at the San Pietro a Majella Conservatory in Naples, where he deepened the repertoire of chamber music with Antonio Florio , receiving the “De Ritis” special prize and the “G. Martucci” gold plate and First Prize as […]

Valerio Losito


Valerio Losito is a baroque violin and viola d’amore player. Born in Rome in 1980, he graduated with honors in Violin at Conservatorio di Musica “Santa Cecilia” in Rome under the giudance of Yvonne Ekman. He studied historical performance, dedicated to playing classical music (from the late Fourteenth Century to early Nineteenth Century), on original […]