After her diploma she continued her training with distinguished teachers, among them Franco Scala, György Sándor and Marian Mika, a specialist in Chopin performance practice. She also took the second-level academic diploma at the “Scientia et Ars” Politecnico in Vibo Valentia with Sergio Perticaroli.
Dopo il diploma completa la propria formazione con maestri di grande prestigio, quali Franco Scala, Gyorgy Sandor e Marian Mika, specialista della prassi esecutiva chopiniana. Consegue inoltre il Diploma Accademico di secondo livello presso il Politecnico ‘Scientia et Ars’ di Vibo Valentia con Sergio Perticaroli.
to the most varied areas of the piano literature and curious about every aspect of it, alongside the usual solo, chamber and concerto repertoire she has explored less frequented genres such as the melologue. After several years of collaboration with
, an unforgettable Violetta in the Traviata of Visconti and Béjart, she recorded for Phoenix Classics ìb>a selection of melodramen by Schumann, Liszt and Richard Strauss, warmly received by thespecialist press . Also for Phoenix Classics she recorded Bartók’s Sonata for two pianos and percussion and, with the same forces — Damyan Tudzharov, Vittorino Naso and Tarcisio Molinaro — “The Rite of Spring”, in a personal reworking whose originality and refined sense of colour were singled out by the critics. una selezione di ‘melodramen’ di Schumann, Liszt e R. Strauss, recensita molto positivamente dalla critica delle riviste specializzate. Sempre per la Phoenix Classics ha inciso la Sonata di Bartok per due pianoforti e percussioni e, sempre con lo stesso organico, Damyan Tudzharov, Vittorino Naso e Tarcisio Molinaro, ‘La sagra della primavera’ di Stravinskij, in una personale rivisitazione di cui la critica ha stigmatizzato la novità e la raffinata ricerca timbrica.
collaborations are those with the flautists Glauco Cambursano and Peter-Lukas Graf, the cellists Andrea Noferini, Antonio Ramous and Leonid Gorokhov, the violinists Maya Jokanovic, Greta Medini, Franco Mezzena, Renato Donà, Yoshiaki Shibata and Annette Unger, the trumpeter Gabriele Cassone, the harmonica player Gianluca Littera, and the pianists Cristiano Burato and Damyan Tudzharov, with whom she plays regularly as a piano duo . With Marcello Defant and Alberto Drufuca she formed the Trio di Pavia, whose recording of Arensky’s trios for Phoenix Classics received an honourable mention at the American Web Concert Hall competition. Equally warm praise greeted the complete performance ofMozart’s trios for Musica Rara in Milan during the Mozart anniversary celebrations. al concorso americano Web Concert Hall. Altrettanto lusinghieri consensi ottiene l’esecuzione integrale dei trii di Mozart per Musica Rara a Milan in occasione dei festeggiamenti dell’anno mozartiano.
, teaches widely for leading music associations and is often invited to sit on the juries of national and international piano competitions. She has taught a two-year advanced course with Gabriele Baldocci at the “Il Seminario” Academy in Norma. With the artistic director of the “Busoni” association she set up a masterclass for piano and orchestra with the “Città di Fondi” orchestra. For the “Praeneste” international academy in Rome she teaches an annual advanced course, which has also hosted teachers such as Fausto Di Cesare, Eduardo Hubert, Roberto Cappello, Paola Bruni, Riccardo Risaliti, Pasquale Iannone and Piero Rattalino. She is regularly invited to the international campus of Umbria Classicaand to the Euro Music Festival in Halle-Leipzig at the
“Martin Luther” University. From next summer she will teach on the Montepulciano courses held at Palazzo Ricci. She recently took part in the project “From Berlin to Budapest” with the Norwegian pianist Inger-Kristine Riber, performing in theUSA and in Norway . She will shortly be giving concerts in Norway and England. e in Norway. Prossimamente sarà impegnata in un giro di concerti in Norway e Inghilterra.

