distinguished conductors such as Oren, Bartoletti, Campanella, Campori, Chailly, Temirkanov, Luisi, Frühbeck de Burgos, Palumbo and De Bernart, and directors such as Carsen, Mariani, Dall’Aglio, Marini, Miller, Puggelli, Arruga and Stinchelli. She created the role of the Princess in Suor Angelica at the Varese Estense Festival in 2018. For Pantheon she has recorded Verdi’s Messa da Requiem with the symphony orchestra of the “Arturo Toscanini” foundation under Maestro Gandolfi and the chorus of the “Teatro Regio” in Parma; Falstaff as Mistress Quickly, live from the theatre in Lecce, for Kicco Classic; Aida as Amneris for Premiere Opera; Tchaikovsky’s Iolanta for Opera Lovers; and the DVD of Hänsel und Gretel for Universal Music Italy Jolanta di Cajkovskij She has appeared in numerous performances of Verdi’s Requiem. She has sung

Berio’s Folk Songs with Ensemble 900 at the Auditorium Monteverdi in Mantua andPalmeri’s Misa a Buenos Aires with the composer himself at the piano. She has given several performances of Pergolesi’s Stabat Mater. She has been interviewed several times on RSI Rete 2 (Switzerland) by G. Appolonia on the programme “Il ridotto dell’Opera” . She gives concerts widely in Italy and abroad (Spain, Germany, Austria, China). She wrote and performed the interdisciplinary show “Ritratto di donna” in Calabria, Campania and in Milan for the Amici del Loggione of “Teatro alla Scala”. She has taught singing at theconservatoires of Vibo Valentia, Salerno, Novara, Como and Piacenza and currently teaches at the “G. Verdi” Conservatoire in Milan . She gives masterclasses in Italy, Korea (Sunhwa Arts High School, Seoul) and Andalusia (Conservatorio Superior de Música de Málaga).. Tiene diversi Masterclasses in Italy, Korea (Sunhwa Arts High School di Seoul), Andalusia (Conservatorio Superiore di Musica di Malaga).

Ha tenuto due laboratori “Leoncavallo in brief: from the sacred to the profane. Listening to yourself in order to express! The relationship between music and poetry in Leoncavallo’s work”;

2017 “Debussy’s L’Enfant prodigue”.

In 2019 she founded the Associazione Salotto d’Arte and created the series



“Domenica in salotto”, six monthly events in the mezzo-soprano’s own drawing room, in the role of a modern patron. After the concert there is conversation, tea and cakes. During the first Covid lockdown the Salotto moved to Instagram with three hour-long live broadcasts a week, featuring young talents and a leading figure from the world of music and theatre . During the pandemic she devoted herself particularly to chamber music, recording the CD “Canta Germoglia ed Ama” , which pairs great poetry with music of the early twentieth century; the CD“Lasciati amar” , melodies by Ruggero Leoncavallo; the CD “Salotto Siciliano” , Sicilian songs between the nineteenth and twentieth centuries, for which she also carried out the bibliographical research; the “Christmas songs of the Sicilian tradition” ; the complete Bachianas Brasileiras No. 5, W389; and several classics such as “Send in the Clowns” and “Estrellita”, for the Kicco Music label, on all platforms and online stores. In July 2021 she took part as performer and speaker in the seminar “In Limine” : salon romances, art songs and other compositional metamorphoses, organised by the Avellino Conservatoire under the patronage of the Istituto Tostiano. She was acclaimed as Santuzza at the Festival dei Teatri di Pietra, at the Bellini in Catania after 30 years, at the Greek Theatre in Tindari and at the Greek Theatre in Syracuse. At thePiacenza Musica festival she gave a concert in homage to Caruso entitled “Qui dove il mare luccica” , and later sang the Princess in Suor Angelica and Zita in Gianni Schicchi at the Teatro degli Arcimboldi. si è esibita in un concerto omaggio a Caruso intitolato “Qui dove il mare luccica” e successivamente al Teatro Degli Arcimboldi La zia Principessa nella Suora Angelica e la Zita nel Gianni Schicchi di Puccini.